On top of that, you can use it with all the major editing software, so you have all the freedom you need.
They have a total of 89 GPU-accelerated plugins that goes for $199/year and you can find tutorials for each of them on their website. It comes with an impressive library containing everything you may need to fully edit a video, from cool transitions, different style editors, text generators, presets, and motion graphics! Maxon’s Red Giant Universe is not a plugin with a single purpose.
COLOR FINALE FCPX PROFESSIONAL
You have access to professional color correction tools such as color profiles, white balance, film grain emulation, as well as all kinds of enhancements.Ĭolor Finale 2 goes for $149, and you can also get the simple version for $99. The color correction tool has everything you need in order to fully personalize your work. On top of the coolest features you can expect from a color grading software, Color Finale 2 also has a great LUT management system, so you can keep all your work close. It’s simple enough for everyone from vloggers to professional filmmakers to use, but the results are absolutely impressive. From color grading to noise reduction and impressive transitions, everything you will need is in these 4 plugins.Ĭolor Finale was developed by Color Trix LTD and it’s probably the best color grading extensions you can find for FCPX.
COLOR FINALE FCPX PRO
The release of the Transcoder is the first new launch for the company since December 2020, with plans for the company to launch additional advanced products later this year.Final Cut Pro X is an ultra popular editing software based on Macs, so you need the best plugins to work with it. With thousands of daily users, Color Trix has developed multiple Final Cut Pro plug-ins, including Color Finale, for professional colour grading, Color Finale LUTs and Color Finale Connect. In its initial incarnation the newly created add-on, the first of its kind globally, is to quickly import the unsupported camera media into Final Cut Pro, with plans for more media to be compatible in the future. It really is a completely streamlined approach that provides seamless integration that, to the frustration of many filmmakers, has not previously been possible.”
COLOR FINALE FCPX FULL
For example, BRAW footage, shot on a Blackmagic camera, requires an external third party application to transcode files before the start of the editing process.Ĭommenting on Color Finale Transcoder, founder & CTO, Dmitry Lavrov said, ‘this is the very first time that users of FCP have been able to have an instant preview of their ingested footage and with a full range of camera settings. Having to transcode media prior to importing it adds an extra and time consuming stage to the workflow. There are a full range of camera setting adjustments directly within the import interface and it also allows the handling of multiple clips at once and choice of SDR or HDR colour space. The Color Finale Transcoder extension significantly streamlines the workflow, allowing the user to import raw camera media BRAW, ArriRAW and CinemaDNG directly into Final Cut Pro making them immediately available for editing.
COLOR FINALE FCPX MOVIE
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